Everywhere he went, Covid-19 restrictions were seriously enforced. Last month he conducted live performances of Verdi’s Luisa Miller at the Glyndebourne Festival in England. Over the ensuing months, he added scattered dates for virtual concerts with the Detroit Symphony, the London Philharmonic, the Dutch National Opera and a master class at the Bolshoi Theatre in Moscow. He was able to travel for live performances at the Bregenz Festival in Austria and Zurich Opera in Switzerland. ![]() The pandemic was momentarily easing in Europe. In late summer 2020, Mazzola was riding out the pandemic in his home in Montepulciano, Italy, a hill town in southern Tuscany. Mazzola will make his belated inaugural live appearance as music director of the Lyric Opera of Chicago Friday night, leading the season-opening new production of Verdi’s Macbeth. And from then on, I never stopped making music.” After a couple of months, this sense of frustration became a reaction, a very beautiful artists’s reaction. ![]() “In March of last year,” he said, “when the cancellations started, of course, I had a feeling of frustration. Photo: Joe Mazzaįor the first few months of the Covid-19 pandemic, conductor Enrique Mazzola was as frantic about the future as most of us. Music director Enrique Mazzola conducts the Lyric Opera’s season-opening production of Verdi’s Macbeth Friday night.
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